George Russell Lydian Chromatic Concept Pdf 52

While in Pittsburgh, Patt studied guitar under Joe Negri.[2][3][note 1] Patt played rhythm guitar in the style of Freddie Green, who played a Stromberg in the Count Basie Orchestra.[4] Having earned his baccalaureate degree, he joined the United States Army and played guitar in an Army band.[2] Following his 1955 discharge from the Army, Patt played with touring bands, for example, Neal Hefti, Frankie Carle, Les Elgart, Benny Goodman, Richard Maltby, and The Glenn Miller Orchestra.[4]After touring for five years, Patt settled in New York City, where he worked as musician both at ABC and on Broadway from 1960 to 1970; during this period he regarded Barry Galbraith as his mentor. He studied under George Russell,[2][4] whose (1959) The Lydian chromatic concept of tonal organization for improvisation Patt edited.[2][3][5][note 2] Patt also studied with Gunther Schuller, who himself was a student of Arnold Schoenberg and who used Schoenberg's twelve-tone technique for atonal composition. Patt wanted to be able to play and then to improvise twelve-tone music.[4]

George Russell Lydian Chromatic Concept Pdf 52